German Painter and Architect, 1781-1841 German architect and painter. As state architect of Prussia (from 1815), he executed many commissions for Frederick William III and other royal family members. He based his work on the revival of various historical styles. His mausoleum for Queen Louise (1810) and the brick and terra-cotta Werdersche Kirche, Berlin (1821 ?C 30), are among the earliest Gothic Revival designs in Europe. Other works include the Greek Revival Schauspielhaus (1818) and Altes Museum (1822 ?C 30), both in Berlin. In 1830 Schinkel became director of the Prussian Office of Public Works; his work as a city planner resulted in new boulevards and squares in Berlin.  Related Paintings of Karl friedrich schinkel :. | Felsentor | The Gate in the Rocks | the temple of lsis and osiris | Medieval City on a River | Gothic Cathedral with Imperial Palace |
Related Artists:
Victor Westerholm
Finnish, 1860-1919 Finnish painter. He studied at the School of Drawing in Turku from 1869 to 1878. In 1878 he travelled to Dosseldorf and enrolled at the Kunstakademie, where he attended classes on landscape painting by Eugen Docker until 1886. He spent his summers in Finland, on the aland Islands, preparing sketches that provided the groundwork for many of the paintings he produced in Dosseldorf. Although Westerholm began working according to the principles of studio painting, his vivid studies are often imbued with the crispness of the plein-air style. In the early 1880s he concentrated on painting autumnal scenes and rapidly became the leading landscape artist of the younger generation with such works as the Mail-packet Jetty at Ecker (1885; Hemeenlinna, A. Mus.).
Francisco Domingo Marques
painted Cat in 1842 - 1920
LELY, Sir Peter
Dutch/English painter (b. 1616, Soest, d. 1680, London Dutch painter, draughtsman and collector, active in England. By a combination of ability and good fortune, he rapidly established himself in mid-17th-century London as the natural successor in portrait painting to Anthony van Dyck. Between van Dyck's death in 1641 and the emergence of William Hogarth in the 1730s, Lely and his successor, Godfrey Kneller, were the leading portrait painters in England. After the restoration of the monarchy in 1660, Lely dominated the artistic scene, and his evocation of the court of Charles II is as potent and enduring as was van Dyck's of the halcyon days before the English Civil War. Although Lely's reputation was seriously damaged by portraits that came from his studio under his name but without much of his participation, his development of an efficient studio practice is of great importance in the history of British portrait painting. The collection of pictures, drawings, prints and sculpture